Spaziocinema 2010 - December 11, 2010
The
mirror Claude
is a tool Optical view of the landscape very popular among travelers, and painters of the eighteenth and nineteenth centuries, given the pocket-sized, they were widely used. It gave all 'observer the illusion of watching an unusual and does not overlap with those available to the naked eye. Unlike the camera obscura or camera lucida - devices that facilitate the accurate transcription of the landscape - the mirror of Claude becomes the view from the one that appears that it should be.
mirror Claude
is a tool Optical view of the landscape very popular among travelers, and painters of the eighteenth and nineteenth centuries, given the pocket-sized, they were widely used. It gave all 'observer the illusion of watching an unusual and does not overlap with those available to the naked eye. Unlike the camera obscura or camera lucida - devices that facilitate the accurate transcription of the landscape - the mirror of Claude becomes the view from the one that appears that it should be.
The tool works as a 'good metaphor for the cinematic vision.
Spaziocinema What?
Spaziocinema is a workshop dedicated to deepening theoretical and practical 'art of cinema. The event is in its second edition. Spaziocinema Who is it for?
The workshop is intended primarily for students of national cinema, teachers and academics, citizenship throughout.
What is the purpose of Spaziocinema?
The workshop has an educational purpose. The formula behind this like last year, provides participants with a methodology of approach to 'art film in which the theoretical knowledge and practical to grow greater each other.
Why a workshop film in Liguria?
Spaziocinema is a project born from the 'need to create a center of study and research about the art film. The decentralization of Liguria to the dynamics of national film can not only fill a gap, but to give all 'teaching and to' learning a specific character of cinema.
PROGRAM
1 around the Italian film production;
2 mouth of the wolf
, David di Donatello for Best Documentary 2010); open to ten participants selected prior notice.
, David di Donatello for Best Documentary 2010); open to ten participants selected prior notice.
www.laboratorioprobabile.it
GUEST
Gianni Di Gregorio
Gianni Di Gregorio was born in Rome where he lives and works. After his classical studies and graduated in Directing and Acting Academy of Performing Arts in Rome by Alessandro Fersen in the laboratory of experimental research works then for three years. The movie Mean Streets ) Martin Scorsese moves to the point of inducing him to leave the theater to work in film as assistant director. It directs and subsequently to the screenplay. Among the other writes
It seems dead ... but it's just fainted
(directed by Felice Farina), which won the FIPRESCI Award at the Critics' Week at the Venice International Film Festival in 1987, and John senzapensieri (directed by Mark Hills), presented at Directors' Fortnight in Cannes in 1987. Matteo Garrone knows with whom he worked as assistant director (Roman Summer
The Embalmer
, 2002 and First Love , 2004). In 2007 he co-wrote the screenplay for
Gomorrah
, which received the Grand Prix at Cannes in 2008, the Silver Hugo Award at the Chicago International Film Festival and the European Film Award. With his directorial debut, Youngest Son (2008) won the Lion of the Future Award Opera Prima "Luigi De Laurentiis" at 65. Venice International Film Festival, the David di Donatello for Best New Director, the Satyajit Ray Award at The Times BFI London Film Festival and the award for Best New Director at the Nastri d'Argento. Peter Marcello Pietro Marcello (Caserta, 1976) in 2002 radiodocumentario realized the time of magliari, transmitted by Radiotre, and in 2003 made his directorial debut with the short paper and Scampia. In 2004 he directed the documentary The shipyard, which won the 11th edition of the Libero Bizzarri. The following year he completed the short documentary The cabin and has worked as a volunteer for an NGO in Côte d'Ivoire for the implementation of a documentary film titled Grand Bassan. In 2007 he directed the passage of the line, a documentary filmed entirely on express trains that go through Italy, presented at the 64th edition of the Venice Film Festival in Venice, where he won the Pasinetti Award and Special Mention Award Doc Doc / it. In 2009 he made the film The mouth of the wolf, presented in more than 20 international festivals, won countless awards this year: winner turin Film Festival, attends the Festival Cinéma du Réel in Paris, the Berlin Film Festival and the Festival of Buenos Aires. In Italy he won the Silver Ribbon and the David di Donatello for Best Documentary of the year.
Secretary Spaziocinema 2010
Mail
spaziocinema@laboratorioprobabile.it
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